In January, 2015 in need of a respite from the rough and tumble of New York City, Leah and Dimitri made a trip to Charleston having heard about its beauty and hospitality. A month later they returned and made it their home.


Dimitri Pittas

Dimitri has appeared on leading opera stages throughout North America and Europe, including the Bavarian State Opera, the Vienna State Opera, the Royal Opera House Covent Garden and the Canadian Opera Company. He is a graduate of The Metropolitan Opera’s Lindemann Young Artist Development Program and has been heard on the Met stage as Rodolfo in La bohème, Macduff in Macbeth, Nemorino in L’elisir d’Amore, Cassio in Otello, Alfred in Die Fledermaus and Tamino in Die Zauberflöte. His repertoire includes performances as the title role of Don Carlo, Riccardo in Un ballo in maschera, Alfredo in La traviata, Tebaldo in I Capuletti e i Montecchi, Edgardo in Lucia di Lammermoor, Oronte in Verdi’s rarity, I Lombardi, the Duke of Mantua in Rigoletto and Michele in the world premiere of La Ciociara (Two Women) by Marco Tutino with San Francisco Opera, directed by Francesca Zambello. For his debut with The Canadian Opera Company as the Duke, the Toronto Star said, “Dimitri Pittas comes off the best as The Duke of Mantua, with a flexible voice that can express real love and shallow desire with equal conviction.”

Leah Edwards

Having been hailed as an “eloquent, versatile soprano” with an “entrancingly beautiful voice,” Leah has forged a unique career path, captivating audiences as an actress, singer, dancer and pianist. Ms. Edwards made her Broadway debut in 2011 as a member of the company of Terrence McNally’s Master Class and, Off-Broadway, regularly joins the company of the Encores! series at New York City Center. Ms. Edwards can be seen in the Emmy-nominated production of Carousel with the New York Philharmonic, has appeared as a musical guest on A Prairie Home Companion, and recorded the most recent cast album of George and Ira Gershwin’s Lady, Be Good. Ms. Edwards has been presented in concert at Carnegie Hall, Alice Tully Hall, Avery Fisher Hall, with the New York City Ballet Orchestra and nationally with the Charleston Symphony Orchestra, Rochester Philharmonic, Las Cruces Symphony and the Utah Festival Opera Orchestra. Ms. Edwards is also sought after for her experience with new music, which has resulted in world premiere recordings for the Opera America Songbook. An award-winning pianist, Ms. Edwards appeared as a guest artist at The Gilmore International Keyboard Festival, enjoyed the honor of performing as the musical ambassador to the Chinese Consulate, and her presentation of Prokofiev’s Third Piano Concerto was a featured segment on National Public Radio.

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